The regular rhythm of the buttresses of the neo-Gothic church is projected onto the ground, marking the paving of the square with bands of Predazzo pink granite, which reinforce the geometry of the public space. This pattern extends to the edge of the intervention area, creating a visual and material continuum between the different parts of the city.

The visual axis along Via Gabrielli is accentuated by new trees, becoming a visual promenade that connects the Town Hall, the Museum, the kindergarten and the public gardens. Here, the stone bands emphasise the new hierarchy of spaces, reinforcing the link between the square and the surrounding areas.

The existing amphitheatre has been incorporated into the museum extension, becoming a backdrop that visually closes the square and opens up new open spaces towards the Casa del Monech. The stage, slightly raised, becomes a reference point for outdoor public events, reinforcing the square’s cultural function.

The new visual axes, created by the entrance to the Town Hall, the square and Via Gabrielli, converge in a flush fountain, made from the same stone material as the paving. This element, in addition to improving urban comfort during the hottest months, becomes a focal point in the composition of the space.

The redevelopment also extends to the green spaces around the church, creating a public garden that serves as a connection between the square and the surrounding areas. The new paving bands in granite basalt organise the space hierarchically, distinguishing between pedestrian areas and green spaces.

These elements are arranged with grassy surfaces, ground-covering shrubs and pathways paved in porphyry setts, with dedicated children’s play areas. This solution combines sustainability and liveability, improving the urban microclimate and enriching the experience of public space.